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An American in Hiroshima, Japan
by
Kate Berardo, SIETAR Europa Associate
Hiroshima
is one of those cities you feel like you need to go to
when you come to Japan. The lessons to be told are undoubtedly
difficult, but necessary for many people to hear, especially
Americans.
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The
A-bomb dome
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Arriving in Hiroshima,
you get a big city feel, albeit a lush city, with
many canals, no shortage of trees, and views of mountains in the
distance. Our main purpose in going to Hiroshima was to contemplate
the events of August 6, 1945 and its aftermath. It was our last stop
in Japan after a year teaching up in Sapporo and before heading on
to South Korea.
So, after dropping our
bags at a local ryokan, the first thing we did
was head for the Hiroshima Peace Park Museum. The museum traces
in great deal the events in Hiroshima leading up to the Atomic bomb.
It mentions, although not dwellingon, the destruction and devastation
Japan was causing as it invaded other Asian countries in the lead-up
to the bombing. And, it constantly drives home the message that
nuclear weapons must be eradicated to ensure the future of mankind;
it displays the making of nuclear weapons, the effects of radiation
and the devastation from the Atomic bombing.
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On the walls of the musuem,
there are letters from the Mayors of Hiroshima, from shortly
after the Atomic bombing up until September 20, 2003, which are all protests to the
countries with Nuclear Weapons (the big five: The US, Russia, France, UK, and China) and a
call to disarm nuclear weapons. When you see two walls of these letters, delivering the same
message over and over again to figureheads like Putin, Clinton, and Bush with seeming
futility, you can lose heart that the flame burning in the Peace Park could ever be
extinguished (it will be put out when the last nuclear weapon is destroyed).
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That's not to say no hope
remains, but that the hope for a
better future stems more from what happens on a daily basis
in Hiroshima than what you can see at the permanent exhibits
of the Museum. It comes from the people who go there, and
the reactions they have. And not all of these are exactly
positive ones.
As we watched a short film about the plane that dropped the A-
bomb, the guy next to me had a message that was meant to
transcend the conversation he was having with the man next
to him in his native tongue. For that he used plain and clear
English:
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The
damage done to a
tricycle ridden by a 3-
year old boy who was
killed by the blast.
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"American motherfuckers,
sons of bitches," he said. He looked in my direction to see if his
words had impacted me. I continued to stare at the video screen as they returned to their
native language and conversation. A year in Japan had made me forget what directness and
confrontation felt like. I was indeed startled, and I kept my eye on the group he was with as
they teetered around us and then passed through the exhibit with an angry energy that was
markedly different from others’ reactions.
As an expat, hearing comments
about Americans is not uncommon—even in the polite,
friendly nation of Japan. Just the day before, as we explored a small town called Kurashiki, a
woman told us, "Bush is crazy!" after learning our origin. Being abroad through the war with
Iraq had provided countless interesting and honest hours of conversations with my Japanese
friends. But the anger and hostility that transcended these five words of these strangers
seemed directed at me and was indeed new and uncomfortable.
About half an hour later,
we experienced a different reaction to the exhibit. As I was
engrossed in an explanation of the effects of radiation, my travelling companion pointed out
to me that there were a number of secret service agents that had gathered on the floor and
were wandering around. A few minutes later, when I looked up from the exhibit I was
digesting, I saw that Jon was right. Not only were there a good deal of secret service, there
was also a group of reporters and photographers who had congregated.
A few minutes later, Howard
Baker, Jr. the US Ambassador to Japan, came through the
museum with a mixed entourage of Japanese and Americans, including the translator who
explained the exhibits they passed. He came and went, and so did the sense of excitement
and wonder that went with him. As we left the museum, a number of photographers were
taking pictures of the guestbook that he had signed. We peeked over their shoulders to see
his message, and were then called on to read his barely legible English. "With something
sympathy and sorrow," he had signed it. We couldn't make out the second word for the
reporters, but they were happy to have the other four words and knew their importance
coming from an American figurehead. It occured to me a few minutes later that the second
word was probably utmost, but by then it was too late. The reporters had moved on.
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Howard
Baker, US
Ambassador to Japan,
visiting the Museum
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His visit was reassuring
that not all Americans were looked on as
sons-of- something-or-rather, and it
left me with a greater sense of
hope than the angry visitors had done.
Still, as youth often have
the power to do, it was not Baker, but a
group of American students who we passed a few minutes later that
instilled the greatest sense of hope. At that point, we had left the
museum and were facing the Centograph, which pays tribute to the
individuals who died in the Hiroshima bombing.
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A group of about fifteen
students came up, probably no more than
14 years old, led by a single teacher who could conjure up the
image of everyone's favorite teacher as he taught them subtley,
effectively and interactively. He pointed to a wreath, which had
been placed by the ambassador at the front of Centograph and
that beared his name at its center, and asked the students if they
knew who he was. After determining he was, in fact, not a bread
maker as suggested by a creative, attention- seeking boy based
on his last name Baker, the students
collectively determined his
position and grasped the importance of his visit.
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The
Cenotaph framing the
A-bomb dome
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I was priveleged to have
seen and experienced a lot as a young child, most of which I
believe led to my passion and concern for intercultural issues. Still, I never experienced
something like Hiroshima. The fact that these kids did experience this difficult reality of
America's past, at such a young and open age, and could grasp the larger meaning—that is
hope.
Last we visited the new
Peace Memorial Hall, which is an interesting reflection on how
modern day technology can aid in reflection and growth. The hall, which contains some
thirty plus computers and a number of large screens, allows people to search an extensive
database of photos and information about people who perished in the Hiroshima bombing. It
also contains annotations and documentaries of survivors who lived to tell the horrific story
of their past, all adapted to the needs of each visitor. Simply insert your brochure in the slot
to the left of the screen, and the computer matches the language to that of your brochure.
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Our
shadows in front
of the Peach Memorial
Hall
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It was late afternoon at
that point, so we went on to sit across the
river from the A- city to our traditional ryokan
and the old couple who
run it. We entered our tatami room to find the couple had put two
bananas and some fresh green tea in our room.
Hiroshima represents the
last stop of my year-long journey in Japan. It
seems an appropriate last stop, highlighting the complex relationship
between my home and host countries, making a few last important
reminders of our cultural differences, and leavingme with a lot to reflect
on about a future that transcends my own and that awaits our shaping.
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Kate Berardo is a
Northwestern educated intercultural specialist who helps people from
different cultures,
backgrounds, and schools of thought understand each other and work effectively together. She
is the
co-author of Putting Diversity to Work with colleagues George Simons and Simma
Lieberman, the
Executive Planet Guide to Doing Business with the US, and the founder of www.culturosity.com,
a new
web portal dedicated to building intercultual awareness in daily life.
=© Culturosity.com 2003, 2004.
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